Never Better CMJ Party ft. Tweens, Pins, Lee Bains III & The Glory Fires, PAWS

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Never Better CMJ Party ft. Tweens, Pins, Lee Bains III & The Glory Fires, PAWS
Wednesday, October 22, 2014 1:00 PM
Arlene's Grocery, New York, NY
  • 21 & over
 
Admission Type Price Quantity
Free with RSVP: RSVPWED@NEVERBETTERPROMO.COM
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Show Details
  • Ticket Price: $0.00
  • Door Time: 1:00 PM
  • Restrictions: 21 & over
Tweens: Bridget Battle’s last band might have been a high school choir, but the 21-year-old singer for Cincinnati’s Tweens is no goody two shoes. Look no further for proof than their forthcoming Self-Titled LP, the punk-tinged debut from the trash-pop trio—Battle on vocals and guitar, Peyton Copes on bass and Jerri Queen on drums—that showcases a melodic, driven and exceedingly catchy sound that’s anything but well behaved. Tweens only formed in 2012, but has already made a name for themselves among fans—including The Breeders, who invited the band to open for them on a recent U.S. tour. The story goes that Kim Deal booked the band for one gig on the recommendation of Jim Blaze, owner of Cincinnati record shop Shake It Records, and was so impressed she brought on band to play select East Coast gigs and a full West Coast tour. Additionally, the band toured with the Black Lips, their partners in a party-centric attitude. Despite the established friends, Tweens are very much their own band, bratty and precocious, sincere and genuine. The band’s name conjuresjust the right image: screaming hordes afflicted with Beatlemania, teenyboppers out for a good time, the underage, over-the-top punks in Ladies and Gentlemen: The Fabulous Stains. Think of cheery kids at their most excited, but juxtaposed with lyrics about bad boyfriends and unrelenting independency. Tweens are not a riot grrrl revisionist band, but they are a ferociously honest one. The trio has come a long way from their early demos and previously released Live at the Mohawk EP. Tweens, is a collection of new, garage-influenced tracks—produced by Eli Janney—sprinkled with some of the band’s older, doo-wop influenced favorites. The first single, “Be Mean,” is a biting anthem, with Battle crooning, “I want you to be mean to me,” while “Forever” harkens back to a girl-gang sound, this time with driving bass. The band sites Bay Area punks The Donnas, The Trashwomen and the Bobbyteens as influences—and that bubblegum badass vibe is apparent throughout the full-length—but the sound Tweens are creating is truly their own. So rat your hair, slip on your leather jacket and hold on tight because Tweens may be young but they’re certainly not naïve, and with the release of this freshman LP, they’re breaking curfew and nobody’s safe.
PAWS: The band formed in the ashes of a briefly (but passionately) lived “Violent Femme-esque”, Glasgow based band called “A Copenhagen Hope”. After the departure of one of it’s founding members (Nick Anderson) the remaining three friends (Phillip Taylor, Josh Swinney and Matthew Scott) formed PAWS. After their first show in 2010 opening for Dum Dum Girls in Glasgow on a sold out bill, the band began to establish a strong presence in Glasgow and the surrounding areas by playing almost weekly at times. The trio self recorded and released the majority of their early writings on a small bedroom run cassette tape label that Phillip had started called Cath Records. As well as those releases, the band released their debut 7” vinyl in 2011 on Edinburgh Based indie label Gerry Loves Records. In the beggining of 2012 PAWS signed with Brighton/Brooklyn based FatCat Records. Their first release for the label was their “Misled Youth EP” in May of that year. In October their debut full length album “Cokefloat!” was released. The LP was recorded by ex Test Icicle, Rory Attwell on the boat/studio “Lightship95” docked in London’s Trinity Buoy Wharf. A relentless touring schedule throughout their first three years has seen PAWS tour the UK, Europe, USA and gather a strong and loyal fan base wherever they go. The band have toured with Japandroids, Bleached, We Are Scientists, The Cribs and have also previously been invited to open shows for The Breeders, Fucked Up, Mates Of State, No Age, Wavves, Ty Segall and many others. Spin Magazine placed the band in at number four on their “Top 50 Best Acts at SXSW Festival 2013” In spring 2013 Matthew departed from the band to pursue other interests and Ryan Drever (No Island/Garden Of Elks) was added to complete the PAWS puzzle. Spring 2014 will see the release of their sophomore album “Youth Culture Forever” for FatCat Records which was recorded in Upstate New York.
Performing Artists (Click on Artist for Reviews and Previews)
  • Tweens

    Tweens

    Bridget Battle’s last band might have been a high school choir, but the 21-year-old singer for Cincinnati’s Tweens is no goody two shoes. Look no further for proof than their forthcoming Self-Titled LP, the punk-tinged debut from the trash-pop trio—Battle on vocals and guitar, Peyton Copes on bass and Jerri Queen on drums—that showcases a melodic, driven and exceedingly catchy sound that’s anything but well behaved. Tweens only formed in 2012, but has already made a name for themselves among fans—including The Breeders, who invited the band to open for them on a recent U.S. tour. The story goes that Kim Deal booked the band for one gig on the recommendation of Jim Blaze, owner of Cincinnati record shop Shake It Records, and was so impressed she brought on band to play select East Coast gigs and a full West Coast tour. Additionally, the band toured with the Black Lips, their partners in a party-centric attitude. Despite the established friends, Tweens are very much their own band, bratty and precocious, sincere and genuine. The band’s name conjuresjust the right image: screaming hordes afflicted with Beatlemania, teenyboppers out for a good time, the underage, over-the-top punks in Ladies and Gentlemen: The Fabulous Stains. Think of cheery kids at their most excited, but juxtaposed with lyrics about bad boyfriends and unrelenting independency. Tweens are not a riot grrrl revisionist band, but they are a ferociously honest one. The trio has come a long way from their early demos and previously released Live at the Mohawk EP. Tweens, is a collection of new, garage-influenced tracks—produced by Eli Janney—sprinkled with some of the band’s older, doo-wop influenced favorites. The first single, “Be Mean,” is a biting anthem, with Battle crooning, “I want you to be mean to me,” while “Forever” harkens back to a girl-gang sound, this time with driving bass. The band sites Bay Area punks The Donnas, The Trashwomen and the Bobbyteens as influences—and that bubblegum badass vibe is apparent throughout the full-length—but the sound Tweens are creating is truly their own. So rat your hair, slip on your leather jacket and hold on tight because Tweens may be young but they’re certainly not naïve, and with the release of this freshman LP, they’re breaking curfew and nobody’s safe.

  • PAWS

    PAWS

    The band formed in the ashes of a briefly (but passionately) lived “Violent Femme-esque”, Glasgow based band called “A Copenhagen Hope”. After the departure of one of it’s founding members (Nick Anderson) the remaining three friends (Phillip Taylor, Josh Swinney and Matthew Scott) formed PAWS. After their first show in 2010 opening for Dum Dum Girls in Glasgow on a sold out bill, the band began to establish a strong presence in Glasgow and the surrounding areas by playing almost weekly at times. The trio self recorded and released the majority of their early writings on a small bedroom run cassette tape label that Phillip had started called Cath Records. As well as those releases, the band released their debut 7” vinyl in 2011 on Edinburgh Based indie label Gerry Loves Records. In the beggining of 2012 PAWS signed with Brighton/Brooklyn based FatCat Records. Their first release for the label was their “Misled Youth EP” in May of that year. In October their debut full length album “Cokefloat!” was released. The LP was recorded by ex Test Icicle, Rory Attwell on the boat/studio “Lightship95” docked in London’s Trinity Buoy Wharf. A relentless touring schedule throughout their first three years has seen PAWS tour the UK, Europe, USA and gather a strong and loyal fan base wherever they go. The band have toured with Japandroids, Bleached, We Are Scientists, The Cribs and have also previously been invited to open shows for The Breeders, Fucked Up, Mates Of State, No Age, Wavves, Ty Segall and many others. Spin Magazine placed the band in at number four on their “Top 50 Best Acts at SXSW Festival 2013” In spring 2013 Matthew departed from the band to pursue other interests and Ryan Drever (No Island/Garden Of Elks) was added to complete the PAWS puzzle. Spring 2014 will see the release of their sophomore album “Youth Culture Forever” for FatCat Records which was recorded in Upstate New York.

  • Lee Bains III & the Glory Fires

    Lee Bains III & the Glory Fires

    What awaits you when the needle drops on Dereconstructed, the new album by Lee Bains lll & the Glory Fires? Nothing less than pure fucking heaven, that’s what.
     
    Consider the record’s opener, “The Company Man.” It revs up with a riff sleazy enough to clog Rod Stewart’s stomach pump as an incantation that only a Yellowhammer can truly understand is bellowed and then screamed. Before you know it, the joint is hotter than a Birmingham soaking pit while you, the listener, are reminded, lest you forget, don’t ever trust the company man.
     
    No shit.
     
    Dereconstructed is a careening, road raging, all night party of a record. Informed by a distinctly southern hoodoo, it is a master class in authentic Gulf Coast choogle. Having cut his teeth in the Dexateens, Lee Bains lll has been properly schooled in how to throw down, so much so that even his hyper literate musings are no match for the blown out distortion that gives this record its blistering urgency.
     
    Songs like “The Kudzu and the Concrete,” “Dirt Track” and the roaring, blissfully shambolic title track could be anthems looking for a stadium, but they’re also reminders as to why Lee Bains lll & the Glory Fires are such a formidable party machine. If your hometown is graced with a scuzzy dive and a few warm bodies to populate it, you’d best believe that the Glory Fires have been there, or are on their way back.
     
    Dereconstructed is Lee Bains lll & the Glory Fires’ debut for Sub Pop Records. It is preceded by the band’s actual debut, There Is a Bomb in Gilead, on Alive Natural-Sound Records (2012).
     
    Dereconstructed was produced by Tim Kerr, and engineered by Jeremy Ferguson at Battle Tapes, Nashville, TN.
     
    Lee Bains lll & the Glory Fires will be featured performers at the 14th annual NONCOMMvention, hosted by WXPN in Philadelphia, PA, May 14 - 16, 2014. This performance will be followed by extensive touring, radio sessions, and in-stores throughout North America. A late-summer European tour will be announced shortly.
     
    Lee Bains III & the Glory Fires are:
     
    Lee Bains lll: Guitar and Vox
    Eric Wallace: Guitar
    Adam Williamson: Bass
    Blake Williamson: Drums
    The band resides in Atlanta, GA and Birmingham, AL.
     
    -  by Jonathan Poneman
     

    "Everything You Took" - Final from Henry Busby on Vimeo.

  • PINS

    PINS

    GIRLS LIKE US.

Set Times:
  • 02:00 PM - PAWS
  • 03:00 PM - Lee Bains III & the Glory Fires
  • 04:00 PM - PINS
  • 05:00 PM - Tweens